![]() ![]() In the menuetto, the last quarter beat of bar 3 is a C-sharp in most editions, but in the original autograph an A is printed. In the first movement, however, in bars 5 and 6 of the fifth variation, the rhythm of the last three notes was altered. The original score is close to the first edition, published in 1784. The paper and handwriting of the four pages matched that of the final page of the score, held in Salzburg. Until then, only the last page of the autograph had been known to have survived. In 2014, Hungarian librarian Balázs Mikusi discovered four pages of Mozart's original score (autograph) of the sonata in Budapest's National Széchényi Library. Dave Brubeck's " Blue Rondo à la Turk" (1959) is not based on or related to the last movement. The theme of the first movement was used by Max Reger in his Variations and Fugue on a Theme by Mozart (1914) for orchestra. The movement ends with alternating A and C ♯ octaves followed by two A-major chords. There is a brief piano restatement of the theme in the middle of the coda. Coda: A forte theme consisting mostly of chords (arpeggiated and not) and octaves.Section E: A forte scale-like theme followed by a modification of section D.Section D: A piano continuous sixteenth note melody over a broken-chord accompaniment.Section C: A forte march in octaves over an arpeggiated chord accompaniment. ![]()
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